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Glows/GG Skips - ‘How Different From The Last Day’
Installation at the Royal Academy Of Arts

We hosted producer GG Skips sound piece at our RA takeover, curated by Elvira Garcia.

"The piece is divided into 5 parts, each representing 50 years of the Royal Academy. The pitch shifting female voices cloud over one another despite remaining throughout, this is a nod to Angelica Kaufman and the presence of women throughout the RAs history (note there hasnt been a female solo show in the gallery ever). The actual content of the words aren't taken into account or respected in the soundscape, untill the end. They also swap pitches, sometimes stretching to bass frequencies and baritones, (i imagined John Bercow in the House of Commons) The voices cloud in the fog of 3 main audio tones that develop over the piece, there's a hierarchy of audio that is certainly cracked at certain points in the timeframe, and several nods to historical events intercepting the aristocracy of the Academy. There is another layer of sound development which is a developed sample of the first ever recorded audio, which progresses from its introduction around the middle. Take it or leeeeeev it fam"

Stal Kingsley - Outrun By A Plastic Bag

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Slow Dance Records 2018

Launch Party


Following the international success of Stal Kingsley’s previous two releases, his newfound fanatic audience were left demanding a full-length album so rabidly, it was easier just to record it, than applying for that many restraining orders.‘I Am Stal Kingsley And Stal Kingsley Is Me’ delivers. From the bitter heart of Peckham, the DIY auteur has assembled some of his finest work to date, performed with his signature arrogance and bravado, over crunchy, lo-fi instrumentals with a hallucinatory tinge.

Yet despite his unbridled confidence, his own lyrics betray him as a sad, anxious little man. Throughout the album, Kingsley replays his dark thoughts and the odd traumatic experience, with a playful indulgence. Love and loss (mostly loss) are encapsulated within as he casts a warm, twisted eye on what it is to be human - or even an animal.

With each expertly-crafted track, Stal guides us through his numerous, erratic mood swings. There’s the manic highs - from the cacophonic, downward spirals of “Dad On The Inside” and “Little Man Screaming”, to the sedated dancefloor anthem, “Look Mum, I’m On TV”. Whereas “I Thought I Did At The Time” and “Paragon And Animals” hit a low - so burdened with dreamy, bleak nostalgia, they’ll have you ploughing your car through a pack of cyclists, before totalling into a security banner, screaming through the vapours about how much you still miss your first love.

On the subject of his creative process, Kingsley isn’t quite sure himself. “I don’t know why I write what I write, or where it comes from. It’s like getting an unexplainable and uncontrollable erection when you’re simply taking a stroll through the park. All I know is that when that inspiration strikes, you’ve just got to duck behind the nearest hedge and take care of it.”

One thing is is for certain, Stal Kingsley is a musician revelling in his many past mistakes - and rest assured, there will be many more to come.


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